Frederick Hart - Ex Nihilo Working Model
Ex Nihilo Working Model ex-nihilo-working-model-1-1 ex-nihilo-working-model-3-1

Ex Nihilo Working Model

Ex Nihilo Working Model
Dimensions: 61″ x 83 1/2″ x 11″
Medium: Cast Marble
Edition Number: #31/65

“I saw Ex Nihilo (Out of Nothing), the center portal arch,
as a single expression of Creation, as the metamorphosis
of divine spirit and energy. The figures emerge from the
nothingness of chaos, caught in the moment of eternal
transformation – the majesty and mystery of divine force
in a state of becoming.” – Frederick Hart

The Working Model, one third the full-scale Ex Nihilo, was
never exhibited until the Frederick Hart Memorial Service
at Washington National Cathedral in 2000. It literally was
locked away in the archives of the Cathedral since its
creation. The Working Model was the final model before
Hart brought the work up to full scale and therefore
represents a unique view of this most monumental piece.
The Working Model, after it was used to cast these works,
was again locked away in the archives of Washington
National Cathedral. Rare and precious.

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"I believe that art has a moral responsibility, that it must pursue something higher than itself. Art must be a part of life. It must exist in the domain of the common man. It must be an enriching, ennobling and vital partner in the public pursuit of civilization. it should be a majestic presence in everyday life just as it was in the past.

These are the words of Frederick Hart who has been described as America's greatest representational artist. "My work isn't art for art's sake, it's about life. I have no patience with obscure or unintelligible art - I want to be understood."

Born in Atlanta, in 1967 he began working at the Washington National Cathedral as an aspiring artist working with Italian stone carvers. "The Cathedral became a magical place for me, a place outside of this century. The wonderful Italian stone carvers who worked there were the last of a generation, a link back to the major American architectural works of the early 1900's, to buildings like the Supreme Court, the Federal Triangle, and Grand Central Station, as well as to the great American sculptors Augustus Saint-Gaudens and Daniel Chester French."

In 1971 he began sculpting in his own unheated studio, "almost starving to death" as he sketched his ideas for the Cathedral international competition to commission the design for a series of "creation" sculptures for its main facade, Hart remembers, "It was to be a contemporary idea of Creation, a vision of an unfolding universe." Inspired by Pierre Tellhard de Chardin's writings on science and theology, Hart envisioned a great allegorical work which would evoke the heroic struggle for awakening and consciousness. The selection committee for the Cathedral was impressed with the power and vision of his scale model studies and in 1974 awarded him the project. He was thirty-one.

In the year 1985 President Regan honored Hart with a prestigious and influential role by appointing him to a five-year term on the Commission of Fine Art. The Creation Sculptures were completed in 1990, almost twenty years after Hart began designing them and he went on to create the statue of "Three Soldiers" for the Vietnam Veterans Memorial in the nation's capitol. In 1993 he was distinguished with an honorary degree of Doctor of Fine Arts from the University of South Carolina.

Frederick Hart's legacy is diverse and wide spread, throughout his career he worked in stone, bronze, marble and pioneered the use of acrylics in figurative sculpture, a technique he called "sculpting with light". He was an inventive revolutionary; his works are physical and sensuous, yet spiritual; direct, graceful and subtle. He is survived by Lindy Hart and they are the parents of two sons, Lain and Alexander. --And he is survived by his art which lives on, spreading ethereal, vibrant beauty throughout the world.