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Portrait of Berthe Morisot

Portrait of Berthe Morisot
Etching on laid paper, c. 1912, Plate: 4.5" x 3"
From Manet and the French Impressionists

A quietly powerful etching, Portrait of Berthe Morisot reflects not only Édouard Manet’s exceptional sensitivity as a portraitist but also his deep personal and artistic connection to one of Impressionism’s most important figures.

Originally etched in the 1870s and printed in 1912 for the fine art publication Manet and the French Impressionists, this work was pulled from the original plate and printed on laid paper, in keeping with the deluxe editions of the time. Though not hand-signed, it is an authentic impression after Manet’s original work and represents a rare opportunity to collect a portrait of Berthe Morisot—Manet’s close friend, muse, and eventual sister-in-law.

In the etching, Morisot is captured in profile, rendered with economical yet expressive lines that convey not just her features, but her quiet strength and poise. Manet admired her deeply—not just for her beauty, but for her artistic intellect and independence. Their mutual respect is evident here; the portrait feels less like a formal depiction and more like a moment observed between peers.

The subject, Berthe Morisot, would go on to become a celebrated painter in her own right, exhibited in seven of the eight Impressionist exhibitions, and remains one of the most collected female artists of the period today. A rare and meaningful piece—offering not just the hand of Manet, but the face of Morisot, and the story of a pivotal artistic relationship captured forever in ink.

SKU: M-MANET-125001 Artist: Tag:
Nicole Wolff
Gallery Director

Édouard Manet (1832–1883)

The Bold Visionary Who Redefined Modern Art

Édouard Manet stands at the crossroads of tradition and innovation—an artist whose daring approach to subject matter and technique helped lay the foundation for modern painting. Though trained in the classical style, Manet chose to confront the world around him, turning his eye to scenes of contemporary life, working-class figures, café culture, and the raw beauty of Parisian streets.

Unlike his Impressionist contemporaries—many of whom he influenced directly—Manet never abandoned the studio entirely. Yet, his works shared their vibrancy, looseness of brushstroke, and sensitivity to light. He exhibited at the Salon des Refusés, challenged the conservative art establishment, and ignited public debate with works like Le Déjeuner sur l’herbe and Olympia—paintings that were scandalous in their time but are now seen as turning points in art history.

Though primarily known as a painter, Manet also produced a select and highly prized body of etchings and lithographs, offering collectors a direct and tactile connection to his hand. These works on paper carry the same bold line, psychological complexity, and immediacy that define his canvases—whether portraying a lone figure, a fleeting gesture, or the rhythm of Parisian life.

Today, Manet’s influence is felt in nearly every corner of modern art. His prints are not only prized for their rarity and historical importance—they are intimate windows into the mind of a master at the dawn of modernity.