mere-et-enfant_83935_product
mere-et-enfant_83935_product mere-et-enfant-83935

Mere et Enfant

Mere et Enfant, Etching in Color, c.1896, Only State, 9.8" x 8.1"

Trial Proof aside from the numbered edition of 100 impressions

Printed in brown, green and light pink. The colors vaired in the trial proofs.

Renoir’s interest in the mother and child theme was awakened with the birth of his first son Pierre in 1885. In 1894 their second son, Jean, was born.  This was the inspiration for this particular etching created when Jean was just two years old. Renoir was interested in Rubens and Delacroix’s rich use of color and loose rounded form which he observed in the Louvre in Paris. His appreciation is evident in this print

The simple positioning of the figures is structurally balanced, and shows Renoir looking back to Raphael’s Virgin and Child paintings that he so greatly admired. He once declared that “every woman nursing a child is a Virgin by Raphael”.

Renoir is perhaps the best-loved of all the Impressionists, for his subjects—pretty children, flowers, beautiful scenes, above all lovely women—have instant appeal, and he communicated the joy he took in them with great directness. “Why shouldn't art be pretty?”, he said, “There are enough unpleasant things in the world.”

A Partial Listing of Public Collections: Cincinnati Art Museum; Cincinnati, OH, Museum of Fine Arts; Boston, MA

SKU: M-RENOIR-126-1561 Artist: Tag:
Nicole Wolff
Gallery Director

About the Artist

Famed for his sensual nudes and charming depictions of women, Auguste Renoir (1841–1919) was a founding member of the Impressionist movement. Though he ceased exhibiting with the group after 1877, he later developed a monumental, classically inspired style that influenced artists like Pablo Picasso.

Renoir began his career as a porcelain painter before studying at the Louvre and under Charles Gleyre, where he met Monet, Bazille, and Sisley. While painting in the forest of Fontainebleau, Renoir remained committed to figure painting, influenced early on by Gustave Courbet's Realism. His collaboration with Monet at La Grenouillère in 1869 catalyzed the Impressionist aesthetic, defined by loose brushwork and a brightened palette.

Renoir’s works from the 1870s captured modern life, with iconic pieces like Dance at the Moulin de la Galette. Portraiture became a significant focus, earning him wealthy patrons and financial stability, particularly after the success of Madame Charpentier and Her Children at the 1879 Salon.

By the 1880s, Renoir sought a more structured style, inspired by the old masters. Travels to Italy deepened his admiration for Raphael, leading to crisply defined, sculptural figures, as seen in Reclining Nude. In the 1890s, his work softened, reflecting the coloristic traditions of Titian and Rubens, with notable pieces like Two Young Girls at the Piano.

Despite declining health in his later years, Renoir continued painting, exploring sculpture, and developing a late style characterized by warm tones and Rubenesque nudes. His final works, celebrated by Picasso and Matisse, exemplify his enduring vision of beauty and Mediterranean classicism, securing his place as one of France’s greatest modern painters.