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L’Enfant au Biscuit

L'Enfant au Biscuit (Jean Renoir), Lithograph in Colors on Ingres D'Arches paper (full sheet), c.1898, Only State, Plate: 12.6" x 10.6", 100 impressions plus proofs.

An intimate and tender portrayal by one of the great masters of Impressionism, L’Enfant au Biscuit captures Renoir’s young son, Jean, in a quiet, endearing moment. Rendered in soft washes of color with delicate linework, this lithograph radiates warmth, affection, and the deeply personal lens through which Renoir viewed family life.

Created near the turn of the century, this color lithograph exemplifies Renoir’s rare and masterful work in printmaking. Though better known for his canvases, Renoir embraced lithography as a means of extending his painterly touch—often drawing directly on the stone to preserve the spontaneity and intimacy that defined his aesthetic. Printed on fine Ingres d’Arches paper, and published under the guidance of legendary dealer Ambroise Vollard, this work is among the most sought-after of Renoir’s lithographic pieces. The subject, Jean Renoir, would go on to become one of the most celebrated filmmakers of the 20th century, adding another layer of historic resonance to the portrait.

Today, L’Enfant au Biscuit stands not only as a collectible gem for connoisseurs of Impressionist printmaking but also as a heartwarming window into the private world of Pierre-Auguste Renoir—the father, the artist, and the innovator.

Inquiries invited. This beautifully preserved impression is currently available for acquisition. Please contact our consultants for availability and pricing.

SKU: M-RENOIR-1252426 Artist: Tag:
Nicole Wolff
Gallery Director

About the Artist

Famed for his sensual nudes and charming depictions of women, Auguste Renoir (1841–1919) was a founding member of the Impressionist movement. Though he ceased exhibiting with the group after 1877, he later developed a monumental, classically inspired style that influenced artists like Pablo Picasso.

Renoir began his career as a porcelain painter before studying at the Louvre and under Charles Gleyre, where he met Monet, Bazille, and Sisley. While painting in the forest of Fontainebleau, Renoir remained committed to figure painting, influenced early on by Gustave Courbet's Realism. His collaboration with Monet at La Grenouillère in 1869 catalyzed the Impressionist aesthetic, defined by loose brushwork and a brightened palette.

Renoir’s works from the 1870s captured modern life, with iconic pieces like Dance at the Moulin de la Galette. Portraiture became a significant focus, earning him wealthy patrons and financial stability, particularly after the success of Madame Charpentier and Her Children at the 1879 Salon.

By the 1880s, Renoir sought a more structured style, inspired by the old masters. Travels to Italy deepened his admiration for Raphael, leading to crisply defined, sculptural figures, as seen in Reclining Nude. In the 1890s, his work softened, reflecting the coloristic traditions of Titian and Rubens, with notable pieces like Two Young Girls at the Piano.

Despite declining health in his later years, Renoir continued painting, exploring sculpture, and developing a late style characterized by warm tones and Rubenesque nudes. His final works, celebrated by Picasso and Matisse, exemplify his enduring vision of beauty and Mediterranean classicism, securing his place as one of France’s greatest modern painters.