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Le Chapeau Epingle – 3rd Plate

Le Chapeau Epingle, 3rd Plate, Etching on Laid Paper, 2nd State, c.1894, Signed in the Plate
Plate: 4.7" x 3.4"

An exquisite moment of quiet elegance, Le Chapeau Épinglé is one of Renoir’s most charming etchings—capturing two young women in a gentle, shared gesture as one assists the other in adjusting her hat. Drawn with the refined sensitivity of a painter known for grace and intimacy, this etching reflects Renoir’s delicate touch in the medium of print.

This impression comes from the third and most refined plate, pulled in the second state, where Renoir’s subtle linework is fully realized—light, graceful, and full of atmosphere. The soft contours and expressive profiles echo the same qualities that made Renoir a master of portraiture in oil.

Originally included in Manet and the French Impressionists, a prestigious early 20th-century publication that featured original etchings by the leading artists of the era, this work was printed on fine laid paper and bears the artist’s signature within the plate.

A rare opportunity to acquire an authentic work on paper by Renoir—modest in scale, yet rich in elegance and historical significance.

SKU: M-RENOIR-125003 Artist: Tag:
Nicole Wolff
Gallery Director

About the Artist

Famed for his sensual nudes and charming depictions of women, Auguste Renoir (1841–1919) was a founding member of the Impressionist movement. Though he ceased exhibiting with the group after 1877, he later developed a monumental, classically inspired style that influenced artists like Pablo Picasso.

Renoir began his career as a porcelain painter before studying at the Louvre and under Charles Gleyre, where he met Monet, Bazille, and Sisley. While painting in the forest of Fontainebleau, Renoir remained committed to figure painting, influenced early on by Gustave Courbet's Realism. His collaboration with Monet at La Grenouillère in 1869 catalyzed the Impressionist aesthetic, defined by loose brushwork and a brightened palette.

Renoir’s works from the 1870s captured modern life, with iconic pieces like Dance at the Moulin de la Galette. Portraiture became a significant focus, earning him wealthy patrons and financial stability, particularly after the success of Madame Charpentier and Her Children at the 1879 Salon.

By the 1880s, Renoir sought a more structured style, inspired by the old masters. Travels to Italy deepened his admiration for Raphael, leading to crisply defined, sculptural figures, as seen in Reclining Nude. In the 1890s, his work softened, reflecting the coloristic traditions of Titian and Rubens, with notable pieces like Two Young Girls at the Piano.

Despite declining health in his later years, Renoir continued painting, exploring sculpture, and developing a late style characterized by warm tones and Rubenesque nudes. His final works, celebrated by Picasso and Matisse, exemplify his enduring vision of beauty and Mediterranean classicism, securing his place as one of France’s greatest modern painters.