Madelyn in White
Madelyn in White madelyn-in-white-13918-1

Madelyn in White

Madelyn in White | Bronze | 15" High | Edition of 25

Children are a barometer of the passage of time and remind us to appreciate every single moment. Paige Bradley has sculpted the delightful model, Madelyn, over the years and watched her mature from innocent child to joyful young adult.  Life’s evolving tableau on the fragility of an instant…  brought to a sculptural delicacy and permanence in the hands of Bradley. A gratifying bronze celebrating Madelyn’s maturity. 

"Madelyn arrived at my studio as a young lady and not the little dancer I sculpted only two years prior (Madelyn in Red). In this new version of Madelyn, she is becoming a teenager, yet her joy of dance and contagious smile showed me that her child-like spirit has remained unchanged since the first time we met. These quick studies are truly about the moments that we grasp, to capture unique connections in a time that will never again repeat. Children are our barometers for time swiftly passing, and our reminder to appreciate the moment. I give myself only three hours to sculpt each work in this series; expressing the innocence of the children, their youth and the endless fleeting of time."    ~ Paige Bradley

SKU: PB-WEB-026 Artist: Tag:
Nicole Wolff
Gallery Director

Born in Carmel, California Paige Bradley knew she would be an artist by the age of nine. Immersed in nature and art, Bradley’s fascination with the human figure began early. She believed that through the figure an artist could speak a universal language that is timeless and essential. Paige began drawing from the nude model by the age of ten and by fifteen was studying intensely at university campuses during the summer months. Knowing that she was naturally a sculptor, at seventeen she cast her first bronze.

Educated at Pepperdine University, Paige spent a year in Florence, Italy with the university’s study program. There she took classes at the Florence Academy of Art, which included art history. She went on to continue her education at the prestigious Pennsylvania Academy of Fine Arts, where she studied sculpture and learned to paint and print in several different mediums.

In 1995 Paige was assistant sculptor on a monument for the Atlanta Olympic Games. In 2001 she was voted into the National Sculpture Society, the Catherine Lorillard Wolfe Art Club and The Salmagundi Club as a professional sculptor. By 2006, her work was featured in over a dozen galleries, teaching masters workshops and being sought out for public and private commissions. At thirty years old, she already had a strong following of international collectors.

Paige’s work is full of dichotomies: both the beautiful and the ugly, the liberated and the contained, the falling and the floating. She is always in control of form but not imprisoned by its literality. The subject matter becomes the most important – not narrowly feminist, but rather humanistic betrayals of modern emotion. Paige’s work is becoming a valuable keystone for the missing figure in contemporary art. In 2014 Paige exhibited over forty sculptures, several new drawings, and a signed catalog of works at a major U.S. exhibition. It was her way of celebrating twenty years in sculpture, which most likely is just the beginning.


Artist Statement

"Inspiration comes from my connection to the world, my relationships with others, and my relationship with myself. I don’t need to travel the planet or hire dancers to find a muse. My individual journey is inspiration enough. Since I was nine years old I knew I would be an artist. I was drawing since I can remember and began casting my work into bronze when I was seventeen. Three decades later, I am still doing it – and I intend to never stop. As much as I try to avoid labeling myself, I am a figurative artist in everything I do. The figure to me is the perfect vehicle to communicate the human condition. My definition of success is to be a visionary through truthful and courageous artwork, work that communicates what it feels like to be alive in the world today. I keep moving my work forward by questioning, observing, looking for truth and searching for clarity. My goal is to have the courage to create what feels real, not necessarily beautiful, in order to create lasting, fine art."