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La Bible: David Before Saul

La Bible: David Before Saul, hand-colored etching on Arches, c.1956, #II/V, sheet: 21.2" x 15.4"

David Before Saul is one of the most evocative images from Marc Chagall’s celebrated La Bible series — a project that spanned decades and stands as one of the most important achievements in 20th-century printmaking. This hand-colored etching reflects Chagall’s lifelong fascination with biblical narratives and their universal emotional resonance.

Here Chagall depicts the moment when the young David, having slain Goliath, presents the severed head to King Saul. Far from a triumphant portrayal, Chagall imbues the scene with psychological weight and spiritual complexity, the etching captures the raw tension between the characters — foreshadowing the king’s growing jealousy and David’s difficult ascent to power.

This impression comes from the Roman numeral edition — a deluxe, smaller subset of the total edition reserved for select collectors. Printed on fine Arches wove paper and hand-finished with watercolor, it is exceedingly rare and desirable.

With works from La Bible held in the collections of the Museum of Modern Art, the Art Institute of Chicago, and the Centre Pompidou, David Before Saul offers collectors the chance to acquire a museum-quality piece that embodies Chagall’s spiritual vision and mastery of the etching medium.

SKU: M-CHAG-125007 Artist: Tag:
Nicole Wolff
Gallery Director

Marc Chagall (born Moishe Shagal; 1887 – 1985) was a Russian-born French artist. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.

 

Born in modern-day Belarus, then part of the Russian Empire, he was of Belarusian Jewish origin. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.

 

Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists''. For decades, he "had also been respected as the world's preeminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra.

 

He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is".