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Moses and Aaron Before Pharaoh

Moses and Aaron Before Pharaoh, Hand-Colored Etching on Arches, c.1939, Full Sheet: 21.3" x 15.4", IV/V

Marc Chagall – The Bible Series

The concept for Marc Chagall’s monumental Bible Series began with the visionary French art dealer and publisher Ambroise Vollard, who had played a pivotal role in launching the careers of renowned artists such as Pablo Picasso, Paul Cézanne, and Pierre-Auguste Renoir. Having collaborated with Chagall before, Vollard approached him once again in 1931—this time with the idea of illustrating scenes from the Bible, focusing on the Old Testament.

The resulting body of work, known as Chagall’s Bible Series, spans two volumes and includes 105 etchings. The first 65 plates were completed between 1931 and 1939, while the remaining 40 were created between 1952 and 1956. Deeply moved by a journey to the Holy Land in the spring of 1931, Chagall infused the series with spiritual reverence and emotional depth, depicting a wide range of narratives from the Old Testament through his distinct, poetic visual language.

SKU: M-CHAG-125002 Artist: Tag:
Nicole Wolff
Gallery Director

Marc Chagall (born Moishe Shagal; 1887 – 1985) was a Russian-born French artist. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.

 

Born in modern-day Belarus, then part of the Russian Empire, he was of Belarusian Jewish origin. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.

 

Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists''. For decades, he "had also been respected as the world's preeminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra.

 

He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is".