Expansion, Life-Size
Expansion, Life-Size expansion-life-size-52176 expansion-life-size-52176-1 expansion-life-size-52176-2 expansion-life-size-52176-3

Expansion, Life-Size

Expansion, Life-Size | Bronze with Electricity | 47" x 63" x 27" | Edition of 6

Meeting Expansion in situ for the first time leaves an indelible memory.  During daylight, she is serenity and warmth; in the deeper hours of twilight towards evening, she is a beacon of light which literally illuminates and inspires from within. In quiet repose Expansion invites those around her to ponder their own existence and find an ethereal spirit with whom to converse.  Wherever one chooses to ensconce this bronze, it will always be a happily visited place.  When first unveiled, pictures of this sculpture went viral owing to the first ever Illumination from within visible thru perfectly designed cracks and crevices.  In over 5,000 years of bronze sculpture…  Paige Bradley was the first to utilize her insight into … “what would be a breakthrough in sculptural art?”.  Contact us for details.  

Note: The custom made stainless steel pedestal seen here is priced separately.  Numerous elevations of presentation, including directly upon the floor, are possible… we’d love to hear your thoughts.

“From the moment we are born, the world tends to have a container already built for us to fit inside: A social security number, a gender, a race, a profession or an I.Q. I ponder if we are more defined by the container we are in, rather than what we are inside. Would we recognize ourselves if we could expand beyond our bodies? Would we still be able to exist if we were authentically 'un-contained'?” ~Paige Bradley

SKU: RMA-PB-30036 Artist: Tag:
Nicole Wolff
Gallery Director

Born in Carmel, California Paige Bradley knew she would be an artist by the age of nine. Immersed in nature and art, Bradley’s fascination with the human figure began early. She believed that through the figure an artist could speak a universal language that is timeless and essential. Paige began drawing from the nude model by the age of ten and by fifteen was studying intensely at university campuses during the summer months. Knowing that she was naturally a sculptor, at seventeen she cast her first bronze.

Educated at Pepperdine University, Paige spent a year in Florence, Italy with the university’s study program. There she took classes at the Florence Academy of Art, which included art history. She went on to continue her education at the prestigious Pennsylvania Academy of Fine Arts, where she studied sculpture and learned to paint and print in several different mediums.

In 1995 Paige was assistant sculptor on a monument for the Atlanta Olympic Games. In 2001 she was voted into the National Sculpture Society, the Catherine Lorillard Wolfe Art Club and The Salmagundi Club as a professional sculptor. By 2006, her work was featured in over a dozen galleries, teaching masters workshops and being sought out for public and private commissions. At thirty years old, she already had a strong following of international collectors.

Paige’s work is full of dichotomies: both the beautiful and the ugly, the liberated and the contained, the falling and the floating. She is always in control of form but not imprisoned by its literality. The subject matter becomes the most important – not narrowly feminist, but rather humanistic betrayals of modern emotion. Paige’s work is becoming a valuable keystone for the missing figure in contemporary art. In 2014 Paige exhibited over forty sculptures, several new drawings, and a signed catalog of works at a major U.S. exhibition. It was her way of celebrating twenty years in sculpture, which most likely is just the beginning.


Artist Statement

"Inspiration comes from my connection to the world, my relationships with others, and my relationship with myself. I don’t need to travel the planet or hire dancers to find a muse. My individual journey is inspiration enough. Since I was nine years old I knew I would be an artist. I was drawing since I can remember and began casting my work into bronze when I was seventeen. Three decades later, I am still doing it – and I intend to never stop. As much as I try to avoid labeling myself, I am a figurative artist in everything I do. The figure to me is the perfect vehicle to communicate the human condition. My definition of success is to be a visionary through truthful and courageous artwork, work that communicates what it feels like to be alive in the world today. I keep moving my work forward by questioning, observing, looking for truth and searching for clarity. My goal is to have the courage to create what feels real, not necessarily beautiful, in order to create lasting, fine art."